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3 Pin XLR

CVG18-B/C

CVG18S-B/C

CVG18RS-B/C

<p>Designed with dual gooseneck sections for full articulation, the CVG18 provides scalable, high level performance in a wide variety of locations, including podiums and desktops.</p>

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18” (45.7 cm) Gooseneck Microphone with inline preamp               

CVG18

CVG12-B/C

CVG12S-B/C

CVG12RS-B/C

<p>Designed with dual gooseneck sections for full articulation, the CVG12 provides scalable, high level performance in a wide variety of locations, including podiums and desktops.</p>

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CVG12

Beta 181/BI

 Beta 181/C - Ultra compact condenser microphone

Beta 181/C

Beta 181/O

Beta 181/S

<h2>Beta 181 Applications</h2>

<p>This Beta 181 is a multipurpose instrument microphone and can be used on a wide variety of applications including guitars, bass and drums (overheads and snares). A total of four different capsules (Cardioid, Supercardioid, Bi-directional, Omni-directional) are available, allowing you to interchange them according to application.</p>

<h2>Interchangable Capsule Options</h2>

<p>The RPM181/C is a cardioid condenser capsule for the Beta 181. The RPM181/S is a super cardioid condenser capsule for the Beta 181. The RPM181/BI is a bi-directional condenser capsule for the Beta 181. The RPM181/O is a omni directional condenser capsule for the Beta 181.  </p>

<h2>Applications for the different capsules </h2>

<p>The cardioid capsule is best suited to overheads, piano and acoustic instruments. You can also use the cardioid capsule for M/S stereo micing (in conjunction with another microphone with a bi-directional capsule).  The supercardioid capsule is best suited to snare, toms, acoustic instruments and other forms of close distance micing. The omni-directional capsule could be used for choirs, orchestras and ambient recording applications. Lastly, the Bi-directional capsule can be used for mono overheads, or for the recording of two instruments simultaneously on one channel. </p>

<h2>In the Box</h2>

<p>The Beta 181 can be purchased with any one of the four mic capsules available. You'll then need to buy any additional capsules you want seperately.   </p>


Side-Address Condenser Microphone with interchangeable capsules                

BETA 181

KSM141/SL

KSM141/SL Stereo

<p>The KSM141 is a dual-pattern end-addressed condenser microphone with a rotating collar, allowing easy switching between a consistent cardioid or true omnidirectional polar pattern for smooth and extremely focused sound reproduction.</p>

<p>Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.</p>


Dual Pattern Instrument Microphone                  

KSM141

MX412/N

MX412S/N

MX412SE/N

MX412/C

MX412/S

MX412S/C

MX412S/S

MX412SE/C

MX412SE/S

MX412D/N

MX412D/C

MX412D/S

<h6>Interchangeable Cartridge</h6>

<p>Designed for easy replacement and available in cardioid, supercardioid and omnidirectional polar patterns, the interchangeable cartridges offer wide frequency response and accurate sound reproduction for a broad variety of applications, such as houses of worship, courtrooms and conference centres. Plus, the condenser cartridges fit every model in the Microflex product line for enhanced convenience and consistent sound.</p>

<h6>Available Options</h6>

<p>Microflex Gooseneck microphones are available in four models with a variety of heights and mounting styles to choose from. One model includes a silent mute switch with LED indicator, a Shure Microflex exclusive. And every Microflex Gooseneck features high sensitivity and balanced, transformerless output for maximum immunity to electromagnetic hum and RF interference, even over long cable runs. Each Microflex Gooseneck microphone comes with a complete installation kit, including locking metal and foam ball windscreens, snap-in and shock-mount microphone stand adapters.</p>


MX412 Standard Gooseneck Condenser Microphone

MX412

SM81-LC

<h2>What is the SM81 best suited to?</h2>

<p>The SM81 is the perfect choice for a professional musician or sound engineer who is looking to mic up acoustic instruments such as acoustic guitar, piano and cymbals. It can ideally be used on stage and because of its high quality is also at home in the recording studio. </p>

<h2>What characteristics can I expect when using an SM81?</h2>

<p>The SM81 has a flat response curve for accurate reproduction of the sound source and can also be modified via a bass roll off switch. The 0dB/10bB lockable attenuator switch gives you even more flexibility when miking up loud sound sources and it has a cardioid polar pattern which isolates the main sound source while minimizing handling noise.</p>


Condenser Instrument Microphone                   

SM81

Short Shotgun Microphone with Case & Foam Windscreen

VP89S

Medium Shotgun Microphone with Case & Foam Windscreen

VP89M

Long Shotgun Microphone with Case & Foam Windscreen

VP89L

VP89

VP82 – Short shotgun microphone for semi-professional applications

VP82

Short shotgun microphone for semi-professional applications                

KSM137/SL

KSM137/SL Stereo

<p>The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording instruments.</p>

<p>Versatile, durable, and precise, the KSM137 is an outstanding microphone for instruments ranging from percussion to wind, strings to brass, and piano to guitar.</p>


Cardioid Instrument Microphone                   

KSM137

Beta 98AMP/C

Beta 98AMP/C-3PK

<h2>What is the Beta 98AMP/C best suited to?</h2>

<p>This premium drum microphone is ideal for use with snares and toms. </p>

<h2>What are the characteristics of the Beta 98AMP/C?</h2>

<p>The Beta 98AMP/C provides a smooth and natural sound, and features an integrated XLR preamplifier with a flexible gooseneck.</p>

<h2>What is the difference between the Beta 98AMP/C and the other versions of the Beta 98?</h2>

<p>The Beta 98AMP/C is a cardioid condenser instrument microphone and comes complete with an integrated preamplifier and the A75M universal drum mount. None of the other versions of the Beta 98 contain an integrated preamplifier. The Beta 98AMP/C has a wider dynamic range with a SPL level 7dB higher than Beta 98AD/C and the Beta 98A/C. The Beta 98AD/C is for the same applications and instead contains an A98D drum mount which features a flexible gooseneck. The Beta 98S & Beta 98D/S will continue to be available and have a supercardioid polar pattern. </p>

<p>Please note - any Beta drum microphone featuring the letter 'A' following the model number contains a new capsule and as a result you can expect a more natural high frequency response.</p>


Instrument Microphone                    

BETA 98AMP/C

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Shure

<p>Mount for Shure models with a shaft diameter of ca. 20 mm like the: PGA81, SM63, SM81, SM86, SM87, SM94, Beta87, Beta181, KSM137, KSM141, VP64, MX412 and MX418 to standard microphone stands.</p>


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Microphone Clip              

Microphone clip mounts a microphone with a shaft diameter of 20 mm to a standard microphone stand.

Microphone clip mounts a microphone with a shaft diameter of 20 mm to a standard microphone stand. Shure models with a 20 mm shaft diameter include the PG81, SM63, SM81, SM86, SM87, SM94, Beta 87, KSM137, KSM141, VP64, MX412, and MX418 microphones.

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