Live Performance AUDIO SOLUTIONS

When choosing a professional wireless system, the differences between product tiers can sometimes feel confusing. Axient® Digital keeps things simple with one powerful receiver platform and two transmitter series: AD and ADX. Both deliver exceptional RF performance, audio quality, encryption, and spectrum efficiency, but ADX adds advanced tools for the most demanding productions. Understanding what they share—and where they differ—can help you choose the right solution with confidence.

Every engineer knows the sound of something not quite right. Learn how WAVETOOL supports the way audio teams already troubleshoot: monitoring every source, listening with intent, and reviewing critical moments before they become bigger problems.

From 50% more monitoring capacity and up to six times longer replay to intelligent SCP Alerts, a redesigned, scalable interface, and built-in collaboration tools, WAVETOOL 4 builds on the workflow engineers already trust.

The SM58 and Beta 58A are both reliable handheld vocal microphones with different pickup patterns, output levels, and tonal profiles. The SM58 has a cardioid pattern and familiar, forgiving SM-series vocal sound. The Beta 58A has a tighter supercardioid pattern, hotter output, extended response, and reduced handling noise.

The SM58 & SM57 are both icons in their own right. Your selection is a matter of application. We get to the facts.

Take your karaoke to the next level with a real XLR microphone connected to any USB-C device using the MVX2U Gen 2 Digital Audio Interface.

In the 60 years since its inception, the SM58 has become an audio icon that’s still inspiring Shure engineers to continue pushing the boundaries of microphone technology. From the SM7dB to the new Nexadyne family, discover how the innovation continues.

Celebrating its 60th anniversary this year, the Shure SM58 has built up a reputation over the decades as an extremely durable and reliable microphone. But just how tough is it really?

Is the SM58 the most popular microphone of all time? Quite possibly, yes. What else could handle Run-DMC’s rhymes, Frank Carter’s screams and Mitski’s drama with such ease? For the past 60 years, this mic has set the standard.