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Vocal Microphone

₹0 ₹0

Vocal microphone provides a brightened midrange and bass roll-off with frequency response to control proximity effect, a steel mesh grille for durability, a shock mount for low unwanted noise, and a neodymium magnet for high signal-to-noise ratio.

On stage or in the studio, the BETA 58A is made for refined voice. The brightened midrange and bass roll-off give lead and background vocals a mighty presence in the mix. And the supercardioid pattern works harder to isolate your sound from every other source in the air. You could say it’s a singer’s best friend.

No worse for wear

The hardened steel mesh grille stands up to some of the roughest sweat drips, mic drops and van rides, without so much as a dent to show for it.

Out-louds the noise

The neodymium magnet provides higher output levels, so your sound is clear - and everything else stays in the background.

A worldwide star

The BETA 58A is a top-selling, single-element, dynamic microphone, and can be seen every night on stages all around the globe.



Microphone to USB Adapter


Microphone Windscreen


Replacement Grille


Microphone Clip


Shock Mount Microphone Clip


Black Replacement Grille


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Service & Repair

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User Guide & Specs

Comparable Products


Dynamic Vocal Microphone

Legendary cardioid vocal microphone tailored to deliver warm and clear vocal reproduction.


Vocal Microphone

Vocal microphone provides warm, accurate sound due to its supercardioid polar pattern.


Dualdyne Cardioid Dynamic Vocal Microphone

Premium vocal dynamic cardioid microphone featuring two ultra-thin diaphragms and unmatched control of proximity effect.

Case Studies

MyMama Tour 2021; conquered by the reliability and consistency of SLX-D ©Diletta Radaelli

MyMama Tour 2021; conquered by the reliability and consistency of SLX-D ©Diletta Radaelli

Arturo Magnanensi, Audio Engineer at the the MyMama tour: "The tour was characterized by the strong need of the band to finally be able to express the great energy and creativity stored during the period of the lock-down; combining it and putting it, however, at the service of a necessary flexibility and adaptability to the many different types of concerts that the tour schedule envisaged. Also due to the restrictive regulations related to the pandemic, the show had to be able to be done at different times, in different lighting conditions, in relatively small or even very large stages, without ever affecting its nature or its technical and artistic performance for the public. So I would say that the technical flexibility was fundamental in order to guarantee a coherence of the show in all the various venues in which we found ourselves having to create the show."