Wireless System Companding Explained

Wireless System Companding Explained

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Wireless System Companding Explained

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Whiteboard Session

Senior Product Management Specialist, Stuart Stephens explains wireless companding and how it works.

Companding is a process that happens in all analogue wireless systems to accommodate the limited dynamic range of FM radio.

The process takes its name from the compression and expansion process  that occurs to achieve a full dynamic range signal on output. In other  words, the signal is first compressed at the transmitter stage before it  is expanded at the wireless receiver.

Lower-tier systems usually incorporate what's known as a fixed ratio  compander, while mid to high tier systems will utilise the more advanced  form, known as audio reference companing. For the purpose of today's  topic, we'll be covering the key differences between each of these  companding types.

Fixed Ratio Companding

Through a fixed ratio compander, our audio signal is compressed at a  fixed ratio (typically 2:1). This process is coupled with an expansion  at the receiver with a ratio of 1:2, which restores our full dynamic  range signal. The downside, of course, is that fixed ratio companding  will perform the compression regardless of signal level. At low-level  signals, the noise floor starts to become apparent, and this manifests  itself in an audible artefact known as "breathing" or "pumping."

Audio Reference Companding

Audio reference companding uses a soft-knee compression, which  gradually introduces compression and allows the system to avoid the  process until it's absolutely necessary. Subsequently, these systems can  avoid the low-level artefacts commonly associated with cheaper wireless  systems. Additional benefits include lower system distortion and  improved transients; overall, the system will sound more transparent and  natural.

Digital Wireless Systems

Regular readers/viewers will remember from previous whiteboard  sessions that digital wireless systems do not use or require any form of  companding. In short, because we're converting the audio signal into  digital data at the transmitter there is no need to compress the signal —  resulting in a potentially less coloured sound.

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