Blog

Antenna Selection & Placement

Whiteboard Session
January 20, 2016 |
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Senior Product Management Specialist, Stuart Stephens shares some insight in RF antennas and best practices on placement.

Like microphones, antennas are transducers,  converting energy from one form to another. In the case of transmitting  antennas for in-ear monitors, they're converting current into  electromagnetic waves; for wireless microphone systems, they perform the  reverse.

The size of antenna required is related to the wavelength. For  example: in a VHF system operating from say 170 to 216 MHz, we'd be  looking at a wavelength of approximately 1.5 metres. In the UHF bands,  however – from say 470 - 790 MHz – the wavelength shrinks significantly.

Design of antennas can vary the performance greatly; manufactures are  able to change the directionality of an antenna, the forward gain, and  even the operating bandwidth.

Let's take a look at some of the more common designs:

Main Antenna Types

There are two general types of antennas for wireless microphone and in-ear systems: omnidirectional and directional.

Omnidirectional antennas are  typically either quarter wave or half wave, which means that if the  wavelength of UHF is half a metre, then the size of a half-wave antenna  would be 25 - 30 cm's long. Another characteristic of omnidirectional  antennas is that they're vertically polarised, meaning they receive and  transmit around the length of the antenna as illustrated below. Lastly,  omni antennas have uniform sensitivity, as they operate evenly 360°  around the vertical length.

omnidirectional-antenna-rf

Moving on to directional antennas, these guys are characterised by  their increased on-axis sensitivity; as demonstrated below, you would  receive increased forward gain in one direction. This functionality is  particularly useful in harsh RF environments where the noise floor isn't  ideal and you need to cut through it to receive a strong signal. Also  useful is the increased range capability.

directional-antenna-rf

Active vs Passive Antennas

Often, you'll hear folks claim that active antennas are better than  passive because you receive more RF. In actual fact, it depends on your  application. The booster on an active antenna is really only designed to  compensate for RF cable loss. This also comes at the expense of signal  clarity, as some extra noise can be introduced in the system.

Antenna Placement

When considering the best place to secure your antennas, there's a few factors you should keep in mind.

  1. Separation: In order to maintain diversity  performance, your antennas should be kept a minimum of 1/4 wavelength  apart. Ideally, a full wavelength distance should be maintained for the  best performance. If they're too close, you run the risk of multipath  interference (causing dropouts). On the other hand, if you place them  too far apart, you run the risk of the system identifying them as two  separate antennas, with zero diversity benefit.
  2. Transmission to antenna distance: To avoid RF overload, ensure you maintain a minimum distance of around 3 metres.
  3. Ovoid metal and water: Nothing stops RF in its  tracks quite like water or large metal objects. Crowds of people, in  particular, can wreak havoc as the human body is up to 60% water. Always  retain line-of-sight with your transmitters to clear obstacles such as  metal fences or people; remote the antennas if needs be.
  4. Avoid mixing in-ear and microphone systems:  Combining both transmitting and receiving devices in the same rack can  cause interference as the transmitting devices will output more power  and could desensitise the receiving device.

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This Shure Whiteboard Session is all about RF antennas and best practice placement.

Signing off 

We hope you found our brief overview of antenna selection and  placement useful. To learn more, consider attending one of our Wireless  Mastered or Wireless Workbench training sessions.

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Marc Henshall
Marc forms part of our Pro Audio team at Shure UK and specialises in Digital Marketing. He also holds a BSc First Class Hons Degree in Music Technology. When not at work he enjoys playing the guitar, producing music, and dabbling in DIY (preferably with a good craft beer or two).

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