MuteMath

Born in the dust-laden family garage with archaic samplers, Radio Shack mics, and broken record players, Mute Math have been noisily calculating their notes for the past few years. This electro-alt rock collaboration between longtime friends Paul Meany (vocals/keys), Darren King (drums), Greg Hill (guitar), and Roy Mitchell-Cardenas (bass) has crept up on the music scene with the onslaught of a worldwide fan-base driven to their website from countless video blogs and non-stop touring.

The four piece (originating from New Orleans) has scattered influences that are apparent without being obvious, and touch on everything from DJ shadow styled beats, moments of beauty and grandeur a la Bjork, and vocals that pay legitimate homage to Police-era Sting. When asked about this vast expanse of musical territory that we are asked to find them dwelling within, Meany replied, "I blame it on the past forty years of music." They act on the idea that their magic is to be found in the mixture of countless thoughts. Their live show thrives on this random energy too involving homemade instruments, live sampling, a junked-out keytar, and the kind of freak-outs that keep any given performance worth the price of admission.

What They Use

    • BETA 58A
      Vocal Microphone
      Esteemed vocal microphone accentuates the warmth and clarity of lead and backup vocals.
      Product Use
      Lead Vocals
      On a Budget?
    • PG58
      Vocal Microphone
      A rugged microphone tuned to accentuate the clarity of lead and back-up vocals.
      Product Use
      Lead Vocals
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    • BETA 58A
      Vocal Microphone
      Esteemed vocal microphone accentuates the warmth and clarity of lead and backup vocals.
      Product Use
      Backing Vocals
      On a Budget?
    • PG58
      Vocal Microphone
      A rugged microphone tuned to accentuate the clarity of lead and back-up vocals.
      Product Use
      Backing Vocals
      See what they use
    • BETA 91A
      Beta 91A What They Use Image
      Half-Cardioid Condenser Microphone
      Precision-engineered. Integrated preamp. Two-position contour switch for kick drum & other low-frequency applications.
      Product Use
      Kick
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    • PG52
      Instrument Microphone
      High-performance cardioid dynamic kick drum microphone tuned to capture low-end punch.
      Product Use
      Kick
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    • BETA 52A
      Kick Drum Microphone
      Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
      Product Use
      Kick
      On a Budget?
    • PG52
      Instrument Microphone
      High-performance cardioid dynamic kick drum microphone tuned to capture low-end punch.
      Product Use
      Kick
      See what they use
    • KSM137
      Instrument Microphone
      A versatile, durable, and precise single cardioid polar pattern instrument microphone.
      Product Use
      Snare
      On a Budget?
    • SM57
      Instrument Microphone
      Multi-purpose mic for clean sound reproduction of amplified or acoustic instruments.
      Product Use
      Snare
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    • SM57
      Instrument Microphone
      Multi-purpose mic for clean sound reproduction of amplified or acoustic instruments.
      Product Use
      Snare
      On a Budget?
    • PG57
      Instrument Microphone
      A versatile microphone for use with amplified or acoustic instruments.
      Product Use
      Snare
      See what they use
    • BETA 56A
      Instrument Microphone
      Compact drum microphone engineered for close miking of snare and toms.
      Product Use
      Toms
      On a Budget?
    • PG56
      Snare | Tom Microphone
      A compact drum microphone for close miking. A50D Drum mount included.
      Product Use
      Toms
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    • KSM137
      Instrument Microphone
      A versatile, durable, and precise single cardioid polar pattern instrument microphone.
      Product Use
      Hi-Hat
      On a Budget?
    • PG81
      Instrument Microphone
      A sensitive, flat response microphone ideal for acoustic instruments.
      Product Use
      Hi-Hat
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    • KSM32
      Embossed Single-Diaphragm Microphone
      Embossed single-diaphragm, side-address microphone for highly critical studio and live sound productions.
      Product Use
      Overheads
      On a Budget?
    • PG81
      Instrument Microphone
      A sensitive, flat response microphone ideal for acoustic instruments.
      Product Use
      Overheads
      See what they use
    • SM27
      Multi-Purpose Microphone
      Large diaphragm, side-address cardioid condenser microphone for stage and studio applications.
      Product Use
      Bass Cabinet
      On a Budget?
    • SM57
      Instrument Microphone
      Multi-purpose mic for clean sound reproduction of amplified or acoustic instruments.
      Product Use
      Bass Cabinet
      See what they use
    • BETA 52A
      Kick Drum Microphone
      Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
      Product Use
      Bass Cabinet
      On a Budget?
    • PG52
      Instrument Microphone
      High-performance cardioid dynamic kick drum microphone tuned to capture low-end punch.
      Product Use
      Bass Cabinet
      See what they use