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Grace Potter & The Nocturnals

Grace Potter and the Nocturnals are like a modern-day version of Tina Turner stroking the microphone in a spangled mini-dress while fronting the Rolling Stones circa Sticky Fingers. The proof is there for all to hear on the band’s third album for Hollywood Records, hitting Spring 2010, and marks an artistic breakthrough for a vital young band caught in the act of fulfilling its immense promise. Little wonder that Grace and her cohorts have chosen to title it,directly and emphatically, Grace Potter and the Nocturnals.

“This record is the first time it’s really been us — the first time we’ve all found each other and ourselves,” says Potter with obvious excitement. “Everybody was totally comfortable, everything we had was sitting right in front of us, and it just poured out of us.The whole thing was fluid and effortless. In my mind, an album shouldn’t be self-titled unless it feels that way.”

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      Premier Wireless Technology
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      Wireless System
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    • SM58
      Vocal Microphone
      Legendary vocal microphone, tuned to accentuate the warmth and clarity of lead and back-up vocals.
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      Lead Vocals, Backing Vocals
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    • PG58
      Vocal Microphone
      A rugged microphone tuned to accentuate the clarity of lead and back-up vocals.
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      Lead Vocals, Backing Vocals
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    • BETA 91A
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      Half-Cardioid Condenser Microphone
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      Kick
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      Instrument Microphone
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      Kick Drum Microphone
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      Instrument Microphone
      High-performance cardioid dynamic kick drum microphone tuned to capture low-end punch.
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    • SM57
      Instrument Microphone
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      Instrument Microphone
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      Miniature Cardioid Drum Microphone
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      Snare | Tom Microphone
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      Embossed Single-Diaphragm Microphone
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