Neon Indian is the brainchild of Alan Palomo, who's 2009 debut record Psychic Chasms not only earned the 20 year-old a spot on numerous year-end lists, but assisted the forming of a genre that, though known by a few names now (hypnagogic pop, glo-fi, chillwave), summoned a very unique and specific electro-mangled sound. Pitchfork, Rolling Stone, and SPIN all praised Palomo for his adventurous new sound, and he was tapped to perform at top festivals like South by Southwest, Bonnaroo, and Sasquatch and also scored opening slots for bands ranging from Massive Attack and The Flaming Lips to Phoenix and Chromeo.
After nearly two years on the road off the success of his debut, Palomo returns this fall with his proper follow-up LP, Era Extraña. This time around, we see a darker shaded sound document that tosses somewhere between an 8-bit shoegaze record and peering through the fence of a teenage apocalypse drive-in flick.
Written and recorded last winter in an efficiency apartment in Helsinki, Finland during its short solstice days, Era Extraña was ice sculpted from arpeggiated synth-scapes and scribbled journal entries made during his stint there alone in constant solitude. "It's the closest you can get to feeling like you're at the edge of the earth," he says. "And there were moments where I lost sight of what I was really there to do."