Mercy Me

For the men of MercyMe—Barry Graul (guitar), Robby Shaffer (drums), Mike Scheuchzer (guitar), Nathan Cochran (bass), Jim Bryson (keys) and Bart Millard (vocals)—worshipping the Lord and leading others in His praise is very much a life-long calling. That commitment has guided the band through the creation of six independent projects and 6 albums as one of the flagship artists of INO Records.

MercyMe’s beginnings can be traced back to Bart Millard’s football-hungry hometown Greenville, Texas. “My dad and my older brother were both football players,” Bart recalls, “so naturally, that’s what I wanted to do as well. But I broke both my ankles in a high school football game and that ended my career. Our football practices took place during the school day—sort of a substitute for Phys. Ed. So since I couldn’t dress out for practice, I had to move into another elective class, and choir was the only thing open at that point in the semester. I reluctantly joined the choir and as it turned out, I had a great choir teacher and also had a very encouraging music minister at my church, who both prodded me to get more involved, do solos and so forth.”

During his freshman year of high school, Bart’s father had contracted cancer, which five years later claimed his life during the first semester of Bart’s college career. “I felt like I needed to get away, start fresh,” remembers Bart. “My youth pastor had moved to Lakeland, Florida and asked me if I’d be interested in coming down there and working with his praise band. I moved there at the end of my first year of college. That was the first time I ever did anything with a band—just a local youth group who played for a Wednesday night service. But I fell in love with it immediately.”

After becoming friends through a series of weekend youth conventions, Jim and Bart were picked to head a worship team that traveled to Europe in the summer of 1994. Their praise team was so well received that the duo began sensing the Lord leading them into full time musical ministry. Mike came on board in August 1994, and the three relocated to Jim’s hometown of Oklahoma City becoming MercyMe.

In just a year’s time, MercyMe was attracting the attention of local promoters. An opening stint for an Audio Adrenaline concert led to the band forging a friendship with AA manager Scott Brickell, now also filling that role for MercyMe. Bart says that at Brickell’s encouragement, the band made its next major move—to Nashville. “It took almost a year to get a showcase arranged,” recalls Bart. “When we finally did, we played at a little church for some label representatives and a few hundred kids. We basically played all the songs on our one little album. The kids demanded an encore and since we had been playing praise and worship songs for these youth conventions and camps, we went back and began to worship. As we left the stage a second time with all of them still singing the choruses, I think that was the very first time the band realized how important praise and worship was to us.”

At the invitation of an evangelist friend in Dallas, MercyMe again moved, this time to Texas. Quickly, the band found itself playing as many as 200 dates in a year, with their musical focus on praise and worship with a modern rock/pop flair. “I could see a difference immediately after that showcase,” affirms Bart. “We had always thought, ‘You do a showcase, you sign a deal, you make records for the ccm market.’ God made it clear the role MercyMe was to play was to help meet the growing hunger for praise and worship music.”

Nathan, Robby and Barry have also been a vital part of the mission of MercyMe. “I think these are a tremendously talented group of guys,” Bart enthuses, “but from the beginning, we’ve always said we know there are lots of talented musicians out there. But spiritually, it would be hard for me to find more godly men. I really believe all of us have been called to be worship leaders. Each of us has a unique gift that kids relate to in different ways.”

Bart says that having enjoyed success as an independent act, it took an astonishing set of circumstances to convince MercyMe it needed to sign a major label deal. “We were literally fulfilling all the roles an artist usually hires out—management, booking, marketing. We finally realized that we had played for nearly 200,000 people during 1999 and were selling albums at the same pace as many nationally known artists. Administratively, we were in over our heads to the point where we couldn’t have CDs printed as fast as we were selling them. We knew we needed help in fulfilling what God had called MercyMe to do.” So MercyMe began charting its future course with INO Records and Brickhouse Entertainment.

Now with 6 albums and over 13 years after their founding, the guys of MercyMe still find themselves passionate about leading people in worship and hope that their music will continue to direct people to Christ.

What They Use

    • KSM9
      Handheld Vocal Microphone
      Premium vocal condenser microphone that captures vocal subtlety with extraordinary detail.
      Product Use
      Lead Vocals
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    • SM86
      Vocal Microphone
      Rugged condenser microphone features a tailored frequency response for clear reproduction of vocals.
      Product Use
      Lead Vocals
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    • UHF-R Wireless
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      Premier Wireless Technology
      Premier wireless for the largest, most demanding applications.
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      Wireless System
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    • PGX Wireless
      Large Product Image prod_img_pgx24-pg58_s
      Professional quality sound and true freedom of movement.
      Product Use
      Wireless System
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    • BETA 91A
      Beta 91A What They Use Image
      Half-Cardioid Condenser Microphone
      Precision-engineered. Integrated preamp. Two-position contour switch for kick drum & other low-frequency applications.
      Product Use
      Kick
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    • PG52
      Instrument Microphone
      High-performance cardioid dynamic kick drum microphone tuned to capture low-end punch.
      Product Use
      Kick
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    • BETA 52A
      Kick Drum Microphone
      Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
      Product Use
      Kick
      On a Budget?
    • PG52
      Instrument Microphone
      High-performance cardioid dynamic kick drum microphone tuned to capture low-end punch.
      Product Use
      Kick
      See what they use