Heartless Bastards

The Heartless Bastards' story starts in Dayton, Ohio, where Wennerstrom found the name on a multiple choice video trivia game at a bar.

As a songwriting teenager during a time when GBV and Brainiac were packing local bars and three of the Breeders were still in town, Wennerstrom used to sneak into clubs to check out the scene. "I would just see those people—my music heroes—hanging out at the bar like everyone else," she remembers. "I could see myself in them. It gave me inspiration to do my own thing."

After doing the usual business of playing local shows, the trio set out the following year on a regional tour. One of the first gigs of the trip took them to a bar in Akron, where Black Keys' drummer Patrick Carney just happened to be one of only a handful of people in the audience. This chance encounter led Wennerstrom and the Heartless Bastards to Fat Possum Records, with whom they released their debut, Stairs and Elevators, in early 2005.

The band moved on with critical praise in their back pocket, including a four-and-a-half star review from Rolling Stone, which took note that, when Wennerstrom “opens her throat on Stairs and Elevators … she sounds like she’s wailing on the shoulders of giants; her sad and angry vocals channeling all the swagger and spit of a young Robert Plant.”

By whatever yardstick you care to measure, it was high time for Erika to get out of Dayton.

In true ascetic discipline, she moved to Austin, Texas in 2007 for a change of inspirational scenery and a new recording project. With the help of producer Mike McCarthy (Spoon, Trail of Dead), she assembled a group of musicians with whom she gave the songs life and uncovered yet another layer of Wennerstrom and the Heartless Bastards. Two of the new Bastards aren’t Texas ringers, but fellow Dayton brethren Dave Colvin on drums, and Jesse Ebaugh on bass, who actually played on the original demo that hooked Fat Possum, throw in one Austin native on guitar, Mark Nathan and you’ve got a new unstoppable force that “Take the stage and literally knock everybody down” – NY Times review of the Bastards SxSW record release performance.

The Decemberists’ guitarist Chris Funk said, "It's been a few years since I've had a voice on repeat in my mind. This voice seems to arrive in my ears while sound checking, often before the shows on a pre-show play list and after shows too -- the songs are just perfect and the band has found their spots behind this incredible woman. A unique and enduring artist arrived into our world once again."

The album, entitled The Mountain, (released February 2009) delivers the powerful howl that fans expect from the Heartless Bastards, but also weaves in adventure with mandolins, banjos, strings and Erika’s transcendent voice.
 

What They Use

    • BETA 58A
      Vocal Microphone
      Esteemed vocal microphone accentuates the warmth and clarity of lead and backup vocals.
      Product Use
      Lead Vocals, Background Vocals
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    • PG58
      Vocal Microphone
      A rugged microphone tuned to accentuate the clarity of lead and back-up vocals.
      Product Use
      Lead Vocals, Background Vocals
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    • BETA 52A
      Kick Drum Microphone
      Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
      Product Use
      Kick
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    • PG52
      Instrument Microphone
      High-performance cardioid dynamic kick drum microphone tuned to capture low-end punch.
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      Kick
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    • SM57
      Instrument Microphone
      Multi-purpose mic for clean sound reproduction of amplified or acoustic instruments.
      Product Use
      Snare
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    • PG57
      Instrument Microphone
      A versatile microphone for use with amplified or acoustic instruments.
      Product Use
      Snare
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    • BETA 98D/S
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      Snare | Tom Microphone
      Designed for toms, snares and percussion instruments. Perfect for sound reinforcement and recording.
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      Toms
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    • PG56
      Snare | Tom Microphone
      A compact drum microphone for close miking. A50D Drum mount included.
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      Toms
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    • KSM137
      Instrument Microphone
      A versatile, durable, and precise single cardioid polar pattern instrument microphone.
      Product Use
      Hi-Hat, Overheads
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    • PG81
      Instrument Microphone
      A sensitive, flat response microphone ideal for acoustic instruments.
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      Hi-Hat, Overheads
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    • BETA 57A
      Instrument Microphone
      Excellent microphone designed for use with amplified or acoustic instruments. Compact grille design.
      Product Use
      Guitar Cabinet
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    • PG57
      Instrument Microphone
      A versatile microphone for use with amplified or acoustic instruments.
      Product Use
      Guitar Cabinet
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    • SM7B
      Vocal Microphone
      Popular radio and TV mic features excellent shielding against electromagnetic hum. Plus mounting bracket.
      Product Use
      Guitar Cabinet, Bass Cabinet
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    • PG52
      Instrument Microphone
      High-performance cardioid dynamic kick drum microphone tuned to capture low-end punch.
      Product Use
      Guitar Cabinet, Bass Cabinet
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    • PSM 600
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      Personal Monitoring.  Redefined.
      Wired and wireless monitoring for installations and touring sound.
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      Monitors
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    • PSM 200
      Small Product Image prod_img_p2tre2_s
      Affordable Monitoring.  Get In Ear from Here.
      Affordable, full-featured entry to personal monitoring.
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      Monitors
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