Grace Potter & The Nocturnals
Grace Potter and the Nocturnals are like a modern-day version of Tina Turner stroking the microphone in a spangled mini-dress while fronting the Rolling Stones circa Sticky Fingers. The proof is there for all to hear on the band’s third album for Hollywood Records, hitting Spring 2010, and marks an artistic breakthrough for a vital young band caught in the act of fulfilling its immense promise. Little wonder that Grace and her cohorts have chosen to title it,directly and emphatically, Grace Potter and the Nocturnals.
“This record is the first time it’s really been us — the first time we’ve all found each other and ourselves,” says Potter with obvious excitement. “Everybody was totally comfortable, everything we had was sitting right in front of us, and it just poured out of us.The whole thing was fluid and effortless. In my mind, an album shouldn’t be self-titled unless it feels that way.”
What They Use
Lead Vocals, Backing Vocals:
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SM58 Vocal Microphone
Legendary vocal microphone, tuned to accentuate the warmth and clarity of lead and back-up vocals.
On a Budget?
Kick:
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BETA 52A Kick Drum Microphone
Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
On a Budget?
Snare Top/Bottom:
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SM57 Instrument Microphone
Multi-purpose mic for clean sound reproduction of amplified or acoustic instruments.
On a Budget?
Toms:
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BETA 98AMP Miniature Cardioid Drum Microphone
Precision-engineered with integrated gooseneck, XLR preamplifier, and A75M Universal Microphone Mount.
On a Budget?
Hi-Hat:
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SM81 Instrument Microphone
Industry-standard mic renowned for sonic accuracy in stage and studio performances.
On a Budget?
Overheads:
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KSM32 Embossed Single-Diaphragm Microphone
Embossed single-diaphragm, side-address microphone for highly critical studio and live sound productions.
On a Budget?
Guitar Cabinet:
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SM57 Instrument Microphone
Multi-purpose mic for clean sound reproduction of amplified or acoustic instruments.
On a Budget?