G. Love
It's been a long, successful run for the Philadelphia native and self-described "hip-hop blues artist,” whose self-titled 1994 Okeh/Epic Records debut was certified Gold on the strength of the MTV hit, "Cold Beverage,” and a non-stop performing ethic that still has them playing more than 150 shows a year. In fact, the group just recently returned from a headline tour in Australia that was highlighted by some shows with Jack Johnson, and will accompany him to Europe this spring. Upon their return to the U.S., the band will be headlining their own outdoor amphitheatre tour with John Butler Trio later this summer.
"We’re a hard-working band,” says G. Love of the group’s turnaround over the last two albums, 2006’s Lemonade and 2004’s The Hustle. "Every time we hit the stage or the studio, we make sure we give 150%. Playing in front of people is just such an integral part of the experience for us. We love to ride that energy and get that instant reaction.”
Superhero Brother, recorded in Philadelphia at The Studio and the band’s own Philadelphonic Studios, as well as Longview Farms Barn in Sturbridge, MA, combines both political and party songs. The album is a reflection of the band’s eclectic recipe for its Special Sauce, from tasty, post-hip-hop Beatles-influenced blues-rock ("Communication”), spicy tropical island rhythms over an Archie Bell and the Drells "Tighten Up” groove ("City Livin’”) and well-seasoned Chambers Brothers-style funk-rock crossed with Cream’s "I Feel Free” ("What We Need”) to sweet, blue-eyed Philly soul ("Crumble”), a red-hot Stones-y "Sympathy for the Devil” vibe ("Peace Love and Happiness”) and homemade, rappin’ blues layered on top of a John Lee Hooker Delta stomp ("Superhero Brother”).
"I think of us as a rock and roll group,” explains G. Love. "We definitely incorporate a lot of different flavors, which is why we tried to focus on what we’re known for this time… Making sure the backbeats are funky. Each song tells a unique story, both in subject and musical style.”
What They Use
Lead Vocals:
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SM58 Vocal Microphone
Legendary vocal microphone, tuned to accentuate the warmth and clarity of lead and back-up vocals.
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Backing Vocals:
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KSM9 Handheld Vocal Microphone
Premium vocal condenser microphone with switchable cardioid and supercardioid polar patterns.
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Kick:
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BETA 52A Kick Drum Microphone
Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
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Snare:
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SM57 Instrument Microphone
Multi-purpose mic for clean sound reproduction of amplified or acoustic instruments.
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Toms:
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BETA 98A Miniature Cardioid Condenser Microphone
Precision-engineered for professional drum and instrument in live and studio applications. Two configurations available.
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Hi-Hat:
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SM57 Instrument Microphone
Multi-purpose mic for clean sound reproduction of amplified or acoustic instruments.
On a Budget?
Overheads:
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KSM44A Multi-Pattern Dual Diaphragm Microphone
Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional).
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Guitar:
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ULX1 Bodypack Transmitter
Wireless Bodypack Transmitter. Low-profile, highly durable. Eight hours battery life, 300 ft. range.
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Guitar Cabinet:
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SM7B Vocal Microphone
Popular radio and TV mic features excellent shielding against electromagnetic hum. Plus mounting bracket.
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Bass Cabinet:
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BETA 52A Kick Drum Microphone
Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
On a Budget?
Harmonica:
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520DX "Green Bullet" Harmonica Microphone
With signature green and chrome die-cast casing, the "Green Bullet" is the definitive blues harp voice.
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