Artist Content - Mike Mangini

Mike Mangini

Mike Mangini has successfully applied his Rhythm Knowledge learning method to all styles of music, from classical & jazz to speed metal. He has consistently developed both the melodic and rhythmic sides of his musical personality. He has documented his command of these styles on recordings, with Internationally Renown and Multi Platinum Selling bands, as a multi-time Grammy nominee, as the featured clinician at most every drum festival in the world, and as a full-time faculty member at Berklee College of Music along with being named to their Educational Committee and as Advisor to the Percussion students.

He is both teacher and student. He has been performing since the age of 4 and studying music since age 5. He studied percussion privately with Walter Tokarczyk (Public School System, Waltham, MA), from age 10 through 18. Since 1987 he has given private instruction to drummers, guitarists, and pianists. Michael completed his first drum clinic tour in 1996, and since then he has traveled the world as a clinician selling out venues in over 40 countries. The principles on which he based his extraordinary style can be found in his publications entitled Rhythm Knowledge Volumes I and II.

His numerous awards include: Official Multi Category W.F.D. World’s Fastest Drummer, Boston's Best Drummer/Rhythm Section; NAJE All Eastern United States Percussionist - First Chair; All Massachusetts Jazz Band Drummer - First Chair; All Massachusetts Concert Band Percussionist - First Chair; All Massachusetts (N.E. District) Jazz Band Drummer - First Chair; Concert Band Percussionist (N.E. District) First Chair., and he appears in Drum Magazine Reader’s Polls yearly.

He has spent time in the recording studios. His more celebrated Rock credits include his 6 records in 4 years with Steve Vai, Waiting for the Punchline by Extreme, Set the World on Fire, Metal & All for You by Annihilator, (Mullmuzzler 1, 2, and Elements of Persuasion) with Dream Theater’s James LaBrie, & Tourist by Pop Artist Chris Emerson .

When Mike speaks of the importance of being able to relate to others "in and out of the limelight", he is talking from experience. He has performed in over 40 countries numerous times, led his High School bandmates to State, or National 1st place victories in Classical, Jazz, Percussin Ensemble and Marching Band, as well as, won Outstanding Musician Honors 7 times at mulit-school events, and is an active clinician with close multi year relationships to his endorsement companies and to the bulk of his drumming peers. He has also earned the respcect of his students on a personal and professional level with the highest student response rate percentage (in three consecutive years,) for all college professors in the national OCE online evaluations.

What They Use

    • BETA 91A
      Beta 91A What They Use Image
      Half-Cardioid Condenser Microphone
      Precision-engineered. Integrated preamp. Two-position contour switch for kick drum & other low-frequency applications.
      Product Use
      Kick
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    • PG52
      Instrument Microphone
      High-performance cardioid dynamic kick drum microphone tuned to capture low-end punch.
      Product Use
      Kick
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    • BETA 56A
      Instrument Microphone
      Compact drum microphone engineered for close miking of snare and toms.
      Product Use
      Snare
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    • PG56
      Snare | Tom Microphone
      A compact drum microphone for close miking. A50D Drum mount included.
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      Snare
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    • KSM137
      Instrument Microphone
      A versatile, durable, and precise single cardioid polar pattern instrument microphone.
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      Hi-Hat
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    • PG81
      Instrument Microphone
      A sensitive, flat response microphone ideal for acoustic instruments.
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      Hi-Hat
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    • BETA 98AMP
      Beta 98AMP - What They Use Image
      Miniature Cardioid Drum Microphone
      Precision-engineered with integrated gooseneck, XLR preamplifier, and A75M Universal Microphone Mount.
      Product Use
      Toms
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    • PG56
      Snare | Tom Microphone
      A compact drum microphone for close miking. A50D Drum mount included.
      Product Use
      Toms
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    • BETA 27
      Beta 27 What They Use Image - 146x146
      Instrument Microphone
      Precision-engineered, large-diaphragm side-address microphone for professional live and studio applications.
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      Toms
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    • PG27
      Multi-Purpose Microphone
      Side-address condenser microphone for instrument and vocal recording applications.
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      Toms
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    • KSM32
      Embossed Single-Diaphragm Microphone
      Embossed single-diaphragm, side-address microphone for highly critical studio and live sound productions.
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      Overhead
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    • PG27
      Multi-Purpose Microphone
      Side-address condenser microphone for instrument and vocal recording applications.
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      Overhead
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