Artist
BarlowGirl
BarlowGirl is an all girl band made up of three sisters: Rebecca, Alyssa and Lauren Barlow. (Can you guess how they came up with the band name?) For two years they traveled around the country and were the back up band for their dad. During one concert Lauren, who was the keyboard player at the time, caught sight of a drumset, fell in love.... and so a drummer was born. Soon after that the girls began experimenting with song writing and out of that came songs never to be played or heard of again :) During that time they decided to start their own band and have been one for the past three and a half years. What happened to their father, you ask? Well don't... kidding. He and his wife (ironically, the BarlowGirl's mother) are now the girl's managers. Yes, it is a family affair.
| Application | What They Use | On A Budget |  |
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|---|---|---|---|---|---|---|---|---|
| Lead Vocals | |
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UR24D/SM58 Dual Handheld Wireless System UHF-R Dual Handheld Wireless System with UR4D Dual Channel Receiver and Two UR2/SM58 Handheld Transmitters. |
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PGX24/SM58 Handheld Wireless System | ||
| Lead Vocals | |
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Beta 87C Vocal Microphone The Beta 87C offers an extremely smooth, tailored response for a warm, natural sound. The cardioid polar pattern compensates for the isolation often associated with the use of personal monitors. Cardioid, Condenser. |
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SM86 Vocal Microphone | ||
| Backing Vocals | |
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SM58 Vocal Microphone Legendary Shure SM58® vocal microphone, tuned to accentuate the warmth and clarity of lead and back-up vocals. Consistently the first choice of performers everywhere. Cardioid, Dynamic. |
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PG58 Vocal Microphone | ||
| Backing Vocals | |
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Beta 56A Instrument Microphone A compact drum microphone engineered for close miking of snare and toms. The supercardioid design provides maximum isolation from other onstage sounds. Supercardioid, Dynamic. |
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PG56 Instrument Microphone | ||
| Kick | |
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Beta 91 Kick Drum Microphone A low-profile microphone that requires no external mounting hardware. Lies flat on a pillow or other surface inside a kick drum for superb attack and low-end punch. |
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PG52 Instrument Microphone | ||
| Kick | |
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Beta 52A Instrument Microphone Optimized for low-frequency bass punch and high-power SPL handling, the Beta 52A's supercardioid design provides maximum isolation from other onstage sounds. Designed specifically for kick drum and other bass instruments. Supercardioid, Dynamic. |
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PG52 Instrument Microphone | ||
| Snare | |
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Beta 56A Instrument Microphone A compact drum microphone engineered for close miking of snare and toms. The supercardioid design provides maximum isolation from other onstage sounds. Supercardioid, Dynamic. |
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PG56 Instrument Microphone | ||
| Toms | |
 |
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Beta 98D/S The Beta 98, designed for toms, snares and percussion instruments, is perfect for sound reinforcement and recording. Its flexible gooseneck lets you position the microphone in practically any configuration. |
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PG56 Instrument Microphone | ||
| Hi-Hat | |
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KSM137 Studio Instrument Microphone The KSM137 is a versatile, durable, and precise single cardioid polar pattern microphone. An outstanding microphone for instruments ranging from percussion to wind, strings to brass, and piano to guitar. Cardiod, Condenser. |
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PG81 Instrument Microphone | ||
| Overheads | |
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SM81 Instrument Microphone One of the world's greatest studio condenser mics, the SM81 is a flat response mic with a selectable, low-frequency response switch -- flat, 6dB/octave roll-off or 18dB/octave roll-off -- and a 10dB attenuator. Cardioid, Condenser. |
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PG81 Instrument Microphone | ||
| Guitar Cabinet | |
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KSM32 Studio Microphone Embossed single-diaphragm, side-address microphone for highly critical studio recording and live sound productions. Offers extended frequency response for an open, natural sounding reproduction of the original sound source. Cardioid, Condenser. |
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SM57 Instrument Microphone | ||
| Monitors | |
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PSM 700 Personal Monitor Systems Unsurpassed wireless monitoring for installations and touring sound. |
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PSM 200 Personal Monitor Systems | ||
